Malinda Wink: Up, Close and Personal

Published on July 26, 2016

In Brief

This is the second instalment of my interview with Malinda Wink.  (You can read part 1 here). In the previous chat, the focus was on what Malinda does in her job as Executive Director, Good Pitch² Australia. Here, she talks about the professional journey that led her to GP²A, the philosophical ideas that inform her work and a story she holds close. 

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Malinda Wink

In Conversation: Malinda Wink, Exec Director, GPA

Published on July 25, 2016

In Brief

Over the past 2–3 years, Good Pitch² Australia has raised more funds than any other Good Pitch in the world—and has done so every year since the inaugural event in 2014. So far, over $7.5 million has been raised in philanthropic funding and 200+ powerful strategic partnerships and alliances forged.

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A Model that Works: Social Impact

Published on May 18, 2016

Good Pitch² Australia will soon announce the films selected for the final event in November 2016. It’s not that long ago since the inaugural event in 2014 when philanthropists and a coalition of partners jumped right in and backed six films: Call Me Dad, Constance on the Edge, Frackman, Gayby Baby, That Sugar Film and The Opposition.

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Kelrick Martin: “I don’t want to sound like a heartless tycoon…

Published on April 19, 2016

Kelrick Martin is the director of the award-winning, Good Pitch² Australia–supported film Prison Songs. The subject of the film is indigenous incarceration—but it’s not what you might expect. 

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LGBTI Rights: Gayby Baby and Larry Kramer

Published on March 4, 2016

Around the same time that I first saw the Good Pitch² Australia 2014 film Gayby Baby, I was on a plane and saw the HBO documentary Larry Kramer: In Love and Anger. Kramer is an American playwright (The Normal Heart, The Destiny of Me) and public health advocate but it’s for his work as an LGBTI activist that he’s best known.

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Gayby Baby

Published on February 28, 2016

This is an opinion piece about Gayby Baby, a 2014 Good Pitch² Australia film: I look at what the film, and it’s release, revealed to me about where we are in Australia on marriage equality. Not where we should be.

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